Kiss Me, Kate Review

A chaotic, Shakespearean story reimagined

Kiss Me, Kate, currently delighting audiences at the Barbican Centre, seamlessly blends drama and chaotic backstage comedy with the elegance of Shakespeare's The Taming of the Shrew. With the disorganised energy of a theatrical troupe in disarray, this musical comedy is a vibrant, contemporary reimagining of Cole Porter's timeless classic.

The opening scene unfolds itself slowly to immerse the audience in the bustling world of a theatre company, preparing for a new rendition of The Taming of the Shrew. We are introduced to the cast during their backstage routines – unpacking clothes, cleaning, and finalising last-minute details with a roll call.

Unforgettable, comedic performances

Central to the story is the tumultuous relationship between Fred and Lilli, portrayed with sharp wit and palpable tension by Adrian Dunbar and Stephanie J. Block. As newly divorced ex-lovers, their constant bickering adds a layer of real-life drama to the theatrical proceedings. Complicating matters further is Lilli's new lover, the stern General Harrison Howell, whose presence adds to the tension and humour. Both characters have their loyal confidants – Fred's Paul and Lilli's Hattie, whose unspoken rivalry adds another whimsical subplot to the story.

Charlie Stemp shines as the lovable yet irresponsible Bill, whose gambling habits spark the initial chaos. His onstage chemistry with Georgina Onuorah's Lois Lane is electric. Their duets, Why Can't You Behave? and Always True to You (In My Fashion), are both comical and touching, encapsulating the flawed but enduring love between their characters.

One of the show's more endearing elements is the stage manager, who sits at the side of the stage throughout the play, occasionally mouthing along to the songs and lines. This subtle yet charming detail adds a unique touch, reflecting the love and dedication of those behind the scenes. A touch that only attentive audience members will appreciate.

A must-see production

The show is peppered with memorable moments, from a scene-stealing fake horse being used as a distraction, to the endearing pair of gangsters, played by Hammond Animashaun and Nigel Lindsay. Their performances in Brush Up Your Shakespeare are comedic gold, filled with Shakespearean references and witty innuendos. The stage manager repeatedly coming in with props whenever the pair tries to exit the stage, elongating the performance again and again, adds another layer of hilarity. The audience participation in this number, encouraged by the gangsters' charismatic stage presence, makes the experience even more enjoyable.

Stephanie J. Block's rendition of I Hate Men is both powerful and hilariously engaging, earning enthusiastic audience participation, especially from the women. This performance is a highlight, showcasing Block's exceptional vocal and comedic talent.

The dancing, particularly from Charlie Stemp and the ensemble of familiar West End faces, is nothing short of spectacular. Their energy and precision elevate the musical numbers, making the dance sequences a visual feast.

In short, Kiss Me, Kate at the Barbican Centre is a must-see. Its blend of Shakespeare, comedic chaos and outstanding performances creates an unforgettable evening of theatre. Whether you're a fan of the bard or simply fancy a good laugh, this production is sure to delight.